Alberto Fischerman

Alberto Fischerman (1937–1995) was an Argentine film director and advertising filmmaker. Much of his professional training and career took place in the advertising industry, where he worked as a director. In the late 1960s, he became a member of the Grupo de los Cinco (Group of Five), alongside Ricardo Becher, Néstor Paternostro, Raúl de la Torre, and Juan José Stagnaro, filmmakers united by a desire to renew the forms and modes of production of Argentine cinema. He made his feature-film debut with *The Players vs. Ángeles Caídos* (1969), which became the foremost representative of the aesthetic avant-garde in Argentine cinema of the period. Throughout his career, he directed films of widely varying styles, alternating between works of greater formal radicalism and more narrative-oriented productions, while continuing his work in advertising and television.
- Known for
- Directing
- Born
- 1937-02-06 · Buenos Aires, Argentina
- Died
- 1995-03-13
Known for
- La clínica del Dr. Cureta (1987) — Director
- The Players vs. Ángeles Caídos (1969) — Él mismo en secuencia "La fiesta de los espíritus"
- Las puertitas del Sr. López (1988) — Director
- Life Calls (1944) — Music
- De la misteriosa Buenos Aires (1981) — Director
- Gombrowicz or seduction (Represented by his disciples) (1986) — Director
- Los días de junio (1985) — Director
- Este loco verano (1970) — Producer
- La pieza de Franz (1973) — Director
- Las sorpresas (1975) — Director
- Reflexión ciudadana (1963) — Director of Photography
- Quema (1962) — Director
- Ya no hay hombres (1991) — Director
- Apuntes para una biografía imaginaria (2010)
- Operación no se respira (1970) — Director
- Los pocillos (1974) — Director