Paul Sharits

Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
- Known for
- Directing
- Born
- 1943-02-07 · Denver, Colorado, USA
- Died
- 1993-07-08
Known for
- As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000) — Self
- T,O,U,C,H,I,N,G (1969) — Director
- N:O:T:H:I:N:G (1968) — Director
- On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed? (1977) — Liveraccio
- Piece Mandala/End War (1966) — Director
- Razor Blades (1968) — Director
- Word Movie (1966) — Director
- Unrolling Event (1965) — Director
- Dots 1 & 2 (1965) — Director
- Cinématon (1978) — N°120
- S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED (1971) — Director
- Bad Burns (1982) — Director
- Epileptic Seizure Comparison (1976) — Director
- Color Sound Frames (1974) — Director
- Paul Sharits (2015) — Himself
- Wintercourse (1962) — Director