Michèle Bokanowski

Michèle Bokanowski (August 9, 1943, Cannes, France) is a French Paris-based electroacoustic music composer. After a classical education in harmony, she met Michel Puig, a student of René Leibowitz, who taught her composition and analysis according to Schönbergian principles. In September 1970, she began a two year course at the "Service de la recherche de l’ORTF" (ORTF Research Department) under the direction of Pierre Schaeffer. At the same time, she participated in a sound synthesis research group, studied computer music at the Faculté de Vincennes as well as electronic music with Eliane Radigue. Between 1972 and 1984, she composed essentially for the concert ["Korè" for one pianist, "Trois chambres d’inquiétude", "Tabou"], and for film [mostly for Patrick Bokanowski]. Since 1985, she has also composed for television, theatre [with Catherine Dasté], and for dance [with choreographers Hideyuki Yano, Marceline Lartigue and Bernardo Montet].
- Known for
- Sound
- Born
- 1943-08-09 · Cannes, France
Known for
- Fugue (1998) — Music
- The Angel (1982) — Music
- The Woman Who Powders Herself (1972) — Music
- The Beach (1992) — Music
- Flammes (1998) — Music
- Breakfast (1974) — Music
- By the Lake (1994) — Music
- A Solar Dream (2016) — Original Music Composer
- Solar Beats (2008) — #2
- Le Canard à l'orange (2002) — Music
- Patrick Bokanowski : visite à l'atelier (2017) — Herself
- Hum Drum (2021) — Original Music Composer
- L'indomptable (2018) — Original Music Composer
- Soar (2018) — Music
- A Creator of the Imaginary: Patrick Bokanowski - Short Film (1977) — Music
- The Doll's Breath (2019) — Music