Sergey Lando

In 1987 he graduated from the Gerasimov Institute of Cinematography as a camera operator. Since 1987, he has worked as a director of photography at Lenfilm, where he shot the films Gisele’s Mania; The Circus Burned Down, The Clowns Are Gone; Backdoor; The Day of the Beast, and others. He has shot a number of documentary films, including Through the Looking-Glass; The Russians Have Left; Farukh and Diana; Three Days and Never Again; Noah; Genius Loci; Ulyana Lopatkina, or Dances on Weekdays and on Holidays; Petersburg Dolls; and others. He has also worked as director and screenwriter of documentary films. He worked as a camera operator for television (for the Kultura channel). Member of the Russian Union of Cinematographers, member of the Russian Guild of Camera Operators; member of Imago, member of the Russian Guild of Non-Narrative Cinema. Professor at the Russian State Insitute of Film and Television since 2001, where he teaches a course in the Cinematography Department for camera operators.
- Known for
- Camera
- Born
- 1956-01-16 · Rybinsk, USSR (Russia)
Known for
- The Iron Heel of Oligarchy (1998) — Director of Photography
- The Circus Burned Down, and the Clowns Have Gone (1998) — Director of Photography
- The Fragile Thing (1999) — Director of Photography
- Gisele's Mania (1995) — Director of Photography
- Three Days and Never Again (1998) — Camera Operator
- Сергей Астахов, или Механика киноискусства (2024) — Director
- Пробуждение (2007) — Director of Photography
- Don't Make Biscuits in a Bad Mood (2002) — Director of Photography
- Antonina Turned Around (2007) — Director of Photography
- My Darling Star (2000) — Director of Photography
- Klara (2024) — Self
- Portrait of the Artist on a Historical Background (2023) — Director
- The Last Waltz (2017) — Camera Operator
- Nikolai Gogol's Hand (2009) — Camera Operator
- The Russians Are Gone (1991) — Director of Photography
- Heavenly Tamper (2018) — Camera Operator