Julius Jaenzon
Julius Jaenzon (8 July 1885 – 17 February 1961) was a Swedish cinematographer, essential in the early Swedish silent cinema. He is most known for his collaborations with directors Victor Sjöström and Mauritz Stiller, particularly in adaptions of novels by Selma Lagerlöf. Especially the accuracy with which he mastered the double exposure, for example in The Phantom Carriage, was much admired at the time.
- Known for
- Camera
- Born
- 1885-07-08 · Göteborg, Göteborg- och Bohus län, Sweden
- Died
- 1961-02-17
Known for
- The Phantom Carriage (1921) — Director of Photography
- A Man There Was (1917) — Director of Photography
- The Outlaw and His Wife (1918) — Director of Photography
- Sir Arne's Treasure (1919) — Director of Photography
- The Saga of Gösta Berling (1924) — Director of Photography
- The Wings (1916) — Cameraman
- The Gardener (1912) — Director of Photography
- Private Number 91-Karlsson (1946) — Director of Photography
- The Tale of Gunnar Hede (1923) — Director of Photography
- Love's Crucible (1922) — Director of Photography
- Sons of Ingmar (1919) — Director of Photography
- Sin (1928) — Cinematography
- The Hell Ship (1923) — Director of Photography
- A Lover in Pawn (1920) — Director of Photography
- The Downy Girl (1919) — Director of Photography
- Kiss of Death (1916) — Director of Photography