Camilla Horn

The daughter of a railroad official, Camilla Horn was educated in Germany and Switzerland. She initially trained as a dressmaker and received her first job experience in a fashion salon in Erfurt. This was merely a stepping stone for a performing career which began with dance lessons in Berlin and subsequent acting studies under Lucie Höflich. The lithe, blond and strikingly beautiful Camilla soon appeared in cabaret revues staged by Rudolf Nelson. By 1926, she was employed as an extra at Ufa, where she was spotted by the director F.W. Murnau, who found in her the ideal representation of Gretchen for his seminal production of Fausto (1926) . The role catapulted Camilla to instant stardom. Within a year, she was signed by United Artists in Hollywood, befriending Charles Chaplin and, more importantly, studio chairman Joseph M. Schenck. The friendship with Schenck may, or may not, have led to an affair -- depending on which story one is to believe -- but it did result in two high profile starring roles opposite John Barrymore in the torrid melodramas Tempestad (1928) and Amor eterno (1929), both produced by Schenck. Neither film was a commercial success. With the coming of sound, Camilla returned to Europe, briefly appearing on stage in London and Paris, before resuming her screen career in Germany. As the 1930's went on, she rarely turned down a role, playing anything from baronesses and fashion models, to vamps and 'fallen women'. The quality of her films was variable, but there were several noteworthy standouts, such as Hans in allen Gassen (1930) (opposite Hans Albers), Fiesta en palacio (1934) and Payasos (1938) (as a circus artiste, again with Albers). During this tumultuous decade, Camilla conducted a lengthy affair with the singer Louis Graveure, fifteen years her senior. This came to an end in 1938, when Graveure was suspected of espionage by the Gestapo and fled to England, via the Cote d'Azure. After her luxury villa in Berlin was ransacked in search for…
- Known for
- Acting
- Born
- 1903-04-25 · Frankfurt am Main, Germany
- Died
- 1996-08-14
Known for
- Faust (1926) — Gretchen Marguerite
- Tartuffe (1926) — (uncredited)
- Die Schwarzwaldklinik (1985) — Dr. Rens′ Mutter
- Tempest (1928) — Princess Tamara
- Eternal Love (1929) — Ciglia
- Appointment in Beirut (1968) — Evelyn Brown
- Seine beste Rolle (1944) — Elise Sander
- Ways to Strength and Beauty (1925)
- Fahrendes Volk (1938) — Pepita, Kunstreiterin
- The Chaste Beloved (1940) — Renée Lemonier
- He's at It Again (1970) — Paula
- Broken Love (1942) — Corinna Dellys, l'amante di Alberto
- Zentrale Rio (1939) — Diane Mercier
- The Adventures of Superhero (1987) — Mother
- The Double (1934) — Jenny Miller
- Friedemann Bach (1941) — Mariella Fiorini