Mario Vulpiani
Mario Vulpiani (born 15 February 1927) is an Italian cinematographer and documentarist. Born in Rome, Vulpiani began his career as assistant of the operator Enrico Chroscisky. In the fifties he worked mainly in the field of documentary films, also working as a director. In 1965, with a segment of the anthology film Marcia nuziale, Vulpiani started a critically appreciated collaboration with the director Marco Ferreri that includes the celebrated cult films Dillinger Is Dead and La Grande Bouffe. In the late sixties he collaborated with the postmodern painter Mario Schifano in his three experimental films. In the seventies he worked, among others, with Valentino Orsini, Damiano Damiani, Mario Monicelli and Carlo Lizzani. Starting from the eighties Vulpiani focused into less ambitious works, except for several collaborations with Gabriele Lavia. Source: Article "Mario Vulpiani" from Wikipedia in English, licensed under CC-BY-SA 3.0.
- Known for
- Camera
- Born
- 1927-02-15 · Rome, Italy
Known for
- La Grande Bouffe (1973) — L'autre copilote
- An Average Little Man (1977) — Director of Photography
- Castle Freak (1996) — Director of Photography
- Quarter to Two Before Jesus Christ (1982) — Director of Photography
- Dillinger Is Dead (1969) — Director of Photography
- The Grand Duel (1972) — Director of Photography
- Pumaman (1980) — Director of Photography
- The Doctor Is Staying with the Colonel (1980) — Director of Photography
- Night Nurse (1979) — Director of Photography
- Liza (1972) — Director of Photography
- The Bloodstained Shadow (1978) — Director of Photography
- La lupa (1996) — Director of Photography
- Watch Me When I Kill (1977) — Director of Photography
- The Audience (1972) — Director of Photography
- Desiring Julia (1986) — Director of Photography
- Wind from the East (1970) — Director of Photography